How do you choose the biggest movie misfires of the year? In a way, it’s easy. A movie that’s bad enough to earn a place on this scroll is, like a great movie, not one you really choose. It’s one that chooses you. It looks like a judgment, and a harsh one at that, but it’s really a feeling — that the film in question is so misconceived, so undramatic or unfunny or convoluted or just plain boring, that to watch it is enough to cause pain. In this pandemic year, there were fewer studio bombs to choose from, yet we made no special attempt to go big or go small, to go Hollywood or go indie. We didn’t have to. We just went with the worst.