‘The Third Day’ Review: Jude Law’s HBO Mystery Works Best as a Religious Fever Dream
The Young Pope’s trip to a creepy, cult-y island makes for an effective warning against religious dependency, if not a shocking, “Midsommar”-level horror show.
Netflix’s The Devil All the Time Review
The Devil All the Time is made purposely provocative by Antonio Campos imbuing an unrelenting gruesomeness into every frame. It’s a film unbothered by comfort. Rather Campos thrusts the audience…
‘Wolfwalkers’ Review: Cartoon Saloon’s Irish Folklore Trilogy Ends with the Best Animated Film of the Year
TIFF: The third installment of Cartoon Saloon’s Irish folklore trilogy fulfills the promise of “The Secret of Kells” and “Song of the Sea.”
WRC 9 Review: Gotta Get A Little Mud (Or Snow) On The Tires
WRC 9 is an incredibly fun and addicting game that will have you racing for hours upon end while constantly staying on the edge of your seat.
Nomadland Review: A Modern Day Grapes of Wrath
They don’t recognize her at first. The students who once turned to Frances McDormand’s wearied and weathered Fern for tutoring are now almost walking right by their former educator in…
Why the Orcs Could Have a Huge Role in The Elder Scrolls 6
The Orcs may never have taken the spotlight in an Elder Scrolls game, but that could change thanks to the rumored setting of The Elder Scrolls 6.
Avowed Should ‘Steal’ One Thing from Red Dead Redemption 2’s Map Design
Red Dead Redemption 2 may not be an RPG, but its frontier map design could teach some great lessons for the design of the Living Lands in Avowed.
‘Fargo’ Season 4: TV Review
After three years away, Noah Hawley’s Coen Bros.-inspired FX anthology series returns with a star-packed season featuring Chris Rock, Jason Schwartzman, Jessie Buckley, Ben Whishaw and many more.
‘Fargo’ Review: Season 4 Is the Bleakest Season Yet — and Better for It
Noah Hawley’s midwestern parable examines the racist origins of capitalism in a new season that’s a tad slower, a touch heavier, and every bit as rewarding.
‘Concrete Cowboy’ Film Review: Idris Elba Drama Finds Vibrant Life at Street-Corner Stables
Toronto Film Festival 2020: Director Ricky Staub uses the real-life Fletcher Street Stables to explore a subculture that has been largely ignored outside of Philadelphia for generations