The age of social media is a trap for contemporary writers and filmmakers eager to Say Something. From fusty old Facebook to Instagram to platforms most people over 25 couldn’t even name, it presents all manner of topical ironies and iniquities in society at large, all too easily open to commentary and critique by artists who needn’t look further than the device in their hand for research. The catch, of course, is that social media shifts and changes faster than the weather: a script that begins life as an urgently of-the-moment meditation on the Twitter/TikTok/Tinder era is liable to be a time capsule once the finished film reaches theaters.