Since coming out of quasi-retirement in 2016, Steven Soderbergh has arguably been at his most daring at exploring the possibilities of creative freedom in filmmaking. The director has never shied away from projects that buck the traditional mores of studio distribution and navigate the uncharted territory of new platforms and camera technology. He’s been at this game a long time, since 1989’s Palme d’Or winner “Sex, Lies, and Videotape.” Since then, his varied filmography documents a tireless work ethic matched with a desire to experiment with any facet of making movies both within and beyond the studio format.