Last year, and for more than four decades before that, if you’d said the words “Black Christmas movie,” a lot of people’s minds would have gone straight to Bob Clark’s sorority-house slasher flick “Black Christmas” — that’s how few holiday films Hollywood has made for and featuring African Americans. Writer-director David E. Talbert started to fix that problem with his more inclusive 2016 comedy “Almost Christmas,” but the real breakthrough is “Jingle Jangle: A Christmas Journey,” an ambitious yuletide tuner the prolific stage and screen creator has had up his sleeve for decades.