There are good movies, there are bad movies, and then there is “Good Joe Bell,” a uniquely terrible treatment of an important topic — broadly described as “inclusivity” and “tolerance” by the film’s wild-eyed protagonist (Mark Wahlberg) — whose hubristic title is the first clue that it’s not playing fair. Joe Bell was a man like any other, who attempted to turn tragedy into a teaching moment. The movie has little to add to a story that got some local and national media attention and that, frankly, lends itself better to a 90-second TV news brief than a feature-length film.