Even at what seems like the end of the world, it is impossible to escape the toxicity of the patriarchy. In FX’s “Black Narcissus,” an adaptation of Rumer Godden’s same-named bestselling 1939 novel (adapted as a film in 1947, starring Deborah Kerr in her breakout role), men of both Eastern and Western cultures remain certain of their superiority. The rigidity of Christian ideology, and the narrow role for women within it, was shaped by men; the strict caste system of various ethnic groups in the Himalayas, in particular those with royalty, was shaped by men. Their overlapping point is in how they treat women: as disposable and dismissable.