But horror has always felt like “the other” in terms of its place in the hierarchy of cinema. Despite its immense profitability, horror will always be closely tied to the label of B-movie status; the genre is the red-headed stepchild of cinema of which only a select few “elevated” ones are allowed a seat at the table. The rest are left to flounder in their own clique, separate from the nuances that audiences see in non-horror movies.